Catalog excerpts
COLOR REVERSAL FILMS FUJICHROME Velvia 50 Professional [RVP50] 1. 2. Light Source Daylight Tungsten Lamps (3200K) * Some sizes are not available in certain markets. Seashore or Bright Hazy Cloudy Cloudy Light Snow Scenes Sunlight Sunlight Bright Day or Conditions under Bright Open Sun Shade Lens f/16 f/11 f/8 f/5.6 f/4 Aperture (Exposure time: 1/125 sec.) NOTES • The settings are for 2 hours after sunrise and 2 hours before sunset. • Provide a lens opening 1/2-stop smaller during the summer and 1/2-stop larger during the winter (except for snow scenes). • Excessively bright (or dark) or backlighted subjects may require plus (or minus) 1-stop lens opening adjustments. Fine neutral gray reproduction from the highlights to the shadows. Minimum color balance variation over a range from –1/2 to +1 stop to enable wider photo opportunities. Also allows fine adjustments of exposure and density to be easily done during processing. Daylight Under usual daylight conditions, color balancing filters are not necessary. For the following exposure conditions, however, the indicated filters are recommended. • A UV filter No. 2C*, No. 2B* or other appropriate ultraviolet absorbing filter is recommended for scenes that are receiving strong ultraviolet light from the sun, such as seaside locations, snow scenes, and bright distant views. EXPOSURE GUIDE FOR VARIOUS LIGHT CONDITIONS Use a meter to determine the exposure setting. If a meter is not available, refer to the following table. Superb grain quality, vibrancy and resolving power, as with the current Velvia. Color Balancing Filter None Emulsion Base Base Number Material Thickness Vivid skin tone reproduction with the world’s highest color saturation equal to that of the current Velvia. Superb color tone depiction for rich color reproduction. FILM SIZES, EMULSION NUMBER, BASE MATERIAL AND THICKNESS * Indicates the effective speed resulting from designated
Open the catalog to page 1FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICHROME Velvia 50 Professional [RVP50] • Excessively high or low color temperatures may require the following filters and exposure corrections. Subject Conditions Exposure Correction High Color Temperature: Cloudy weather landscapes or portraits in open shade in clear weather. White Daylight Cool White Warm White Fluorescent Lamp Type (WW) (W) (D) (CW) Color No. 80C+ Compensating 40M+10B 40R+10M 40M+5R 25M Filters* Exposure Corrections** +1 2/3 stop +1 2/3 stop +1 1/2 stop +2 stops (Exposure time: 1/4 sec.) * Wratten Color Compensating (CC) Filters...
Open the catalog to page 2FUJICHROME Velvia 50 Professional [RVP50] • FUJIFILM PRODUCT INFORMATION BULLETIN ing by letting it stand over 3 hours (for refrigerated film) or over 6 hours (for frozen film). Opening film while it is still cold may cause condensation to form on the film surface, causing color changes or the emulsion to become more susceptible to scratches. EXPOSURE PRECAUTIONS With artificial light, such as electronic flash, photoflood, fluorescent, tungsten, high intensity discharge lamp (metal halide, sodium, mercury vapor), etc., the lamp output and color temperature may be affected by such factors as...
Open the catalog to page 3FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICHROME Velvia 50 Professional [RVP50] LIGHT SOURCES FOR VIEWING Use a standard transparency viewer. Visual responses will differ with light source quality and brightness. Therefore, employ a viewer which meets the ISO/ANSI standard.* This film can produce high-quality prints when used with digital printers such as the Fuji Digital Minilab Frontier. High-quality duplicates can be made on FUJICHROME DUPLICATING FILM CDU TYPE II (CDU II). * The ISO standard (ISO 3664:2000) specifies an illuminated viewer surface with a color temperature derived from...
Open the catalog to page 4FUJICHROME Velvia 50 Professional [RVP50] • FUJIFILM PRODUCT INFORMATION BULLETIN Backing Paper and Seal Contents Backing paper: FUJICHROME Exclusive Design Seal: Exclusive Design Backing Paper Top Seal New Exclusive Design Identification Color: Gold, Blue 5 roll pack Envelope Backing Paper and Seal Backing paper: FUJICHROME Exclusive Design Seal: Exclusive Design Backing Paper Top Seal Film Box, Label and Seal New Exclusive Design Identification Color: Gold, Blue
Open the catalog to page 5FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICHROME Velvia 50 Professional [RVP50] SHEET FILM CODE NOTCHING A notch code identifying this emulsion type is located in the upper right-hand corner when the emulsion surface is facing toward you. The same notch is provided for QuickLoad type films. PROCESSED FILM EDGE MARKINGS*
Open the catalog to page 6FUJICHROME Velvia 50 Professional [RVP50] • FUJIFILM PRODUCT INFORMATION BULLETIN • Standard Sheet Film NOTES * The emulsion is on the opposite side. (Base side facing you) ** This code represents an identification marking enabling Fujufilm’s manufacturing quality control system to assure individual quality. FILM STRUCTURE Interlayer Interlayer Interlayer * These layers become colorless and transparent after processing. ** The backing layer becomes colorless and transparent after processing, but it is not provided with 135 size film. RESOLVING POWER Micro-densitometer Measurement Aperture:...
Open the catalog to page 7FUJIFILM PRODUCT INFORMATION BULLETIN • FUJICHROME Velvia 50 Professional [RVP50] CHARACTERISTIC CURVES SPECTRAL SENSITIVITY CURVES * Sensitivity equals the reciprocal of the exposure (J/cm2) required to produce a specified density. SPECTRAL DYE DENSITY CURVES NOTICE The data herein published were derived from materials taken from general production runs. However, changes in specifications may occur without prior notice. –8– 7-3, Akasaka 9-chome, Minato-ku, Tokyo 107-0052, Japan
Open the catalog to page 8All Fujifilm NDT Systems catalogs and technical brochures
-
DUVO series
2 Pages
-
J Press FP790
2 Pages
-
Polaris PQ-512/15 AAA
2 Pages
-
Inca SpyderX
8 Pages
-
LT8
2 Pages
-
FUJINON Machine Vision Lens
10 Pages
-
Inca OnsetM
2 Pages
-
3592
1 Pages
-
LTO Ultrium 9
2 Pages
-
DRY MINILAB Frontier DX100
2 Pages
-
DRY MINILAB Frontier DL 600
2 Pages
-
DRY MINILAB Frontier DL650
2 Pages
-
XQ2
3 Pages
-
X-E2S
8 Pages
-
X-A3
4 Pages
-
X-A10
2 Pages
-
x100t
8 Pages
-
X30
8 Pages
-
GFX 50S
18 Pages
-
Frontier solution
4 Pages
-
Frontier DL600
2 Pages
-
Graphium UV Digital Press
8 Pages
-
instax WIDE 300
2 Pages
-
x mount lenses
15 Pages
-
J Press 540W
8 Pages
-
DL650 PRO Dry Minilab
2 Pages
-
Frontier LP5700R
2 Pages
-
Frontier-S DX100 Brochure
2 Pages
-
J Press 720S
20 Pages
-
X-Pro 1
4 Pages
-
Buffered Oxide Etchants
1 Pages
-
Super DLTtape II
2 Pages
-
LTO Ultrium 6
2 Pages
-
FUJINON-FA-MV-CCTV-LENS
13 Pages
-
DynamIX? ImageShare
2 Pages
-
Prescale Brochure
4 Pages
-
DynamIX HR
1 Pages